Selected Articles
2023
Sara Piccinini. “La virtù dell’imitazione.” Prometeo. Anno 41, Nr. 163. pp. 104-112. (Italian)
2022
Guy Campos. “The sculpture studio with a high-brightness LG display.” AV Magazine. September 21.
Anna Casotti. “La Mia Grande Bellezza.” POSH Magazine. May issue.
Joseph Giovannini. “She’s the Peggy Guggenheim of SoHo.” The New York York Times. April 20.
Lara Demori. “Nello studio di Barry X Ball.” Antinomie. Published online February 28.
2021
2020
Bridget Cogley. “Andrew Berman Architect creates industrial facility and studio for stone sculptor Barry X Ball.” Dezeen. Published online September 5.
Brian T. Allen. “Timely Reminder in Dallas: Great Art is Thrilling to Look At.” National Review. Published online August 29.
Jillian Steinhauer and Jason Farago. “2 Art Gallery Shows to Explore from Home.” The New York Times. April 9.
Paul Laster. “Remastering Masterworks: A Conversation with Barry X Ball.” Sculpture Magazine. March.
John Zotos. “Barry X Ball puts his own spin on classical sculpture in exhibition at Dallas’ Nasher.” The Dallas Morning News. February 19.
2019
Brian T. Allen. “Maastricht's European Fine Art Fair.” National Review. Published online March 23.
Seph Rodney. “Erasing the Binaries that Attempt to Contain our Bodies.” HYPERALLERGIC. Published online March 21.
Scott Reyburn. “Following the Money, a Grand Old Art Fair Moves With the Times.” The New York Times. Published online March 19.
Béatrice de Rochebouët. “Tefaf Maastricht 2019: les dix coups de coeur du Figaro.” Le Figaro. Published online March 17.
2018
Ariela Gittlen. “7 Artists Smashing Our Expectations of What Marble Can Be.” Artsy. Published online on July 25.
Manuela Gandini. “Con le sculture in 3D Barry X Ball guarda alla grande arte italiana.” TuttoLibri. 30 June. p. XI.
Jodie A. Shull. “The Computer and the Chisel: How Digital Innovations Serve the Artist.” Sculpture Review. Summer. pp. 18-27.
Ada Masoero. “Barry x Panza: Un pupillo californiano del collezionista.” Il Giornale dell'Arte. May.
Stefano Bucci. “Rendere contemporaneo il passato: L'utopia in 3D di Barry X Ball.” Corriere della Serra. 12 April.
Alberto Fiz. “La pietra dello scandalo è Michelangelo.” Arte. April. pp. 129-132.
2017
“Rinasce la Pietà Rondanini.” Il Tirreno, Edizione Massa-Carrara. 25 March.
2016
Emily Nonko. “Artist Builds Studio on Greenpoint Site.” The Wall Street Journal. 24 October. p. A20.
Miriam Hall. “Artist Barry X Ball ditching Williamsburg for $18M Greenpoint space.” The Real Deal. 24 October.
Daniel McDermon. “Where He Meets She: Sexual Ambiguity as Old as Humanity.” The New York Times. 27 June. pp. C1-C2.
Giulia Bortoluzzi. “Perfezione, Tecnologia, Unicità.” L'Officiel Hommes Italia. Issue 14, winter / spring 2016, pp. 86-89.
2015
Jan Garden Castro. “Barry X Ball: Technical Aspects of Crafting 'Perfect Forms.'“ International Sculpture Center Blog. 2 December.
Matin Momen. “Barry X Ball” (Parts 1 & 2). StyleZeitgeist Blog. 15 & 16 June.
Dr. Angela Hesson. “Perfect Forms: Barry X Ball and the art of the improvement.” Neue Luxury. May. Issue 3. pp. 4-5.
Paul Laster. “Antiquities Carved by Computer: The Art of Barry X Ball.” Observer. 7 March.
Ken Johnson. “Review: ‘The Art Show’ at the Park Avenue Armory Covers the Creative Map.” The New York Times. 5 March.
Stephen Shaheen. “Sculptors on Sculpture: Part One.” ARTINFO. 5 March.
2014
Terry Trucco. “Living Legends: An Artist's First NYC Museum Show is No Small Thing.” Where Guestbook New York 2015. pp. 103-106.
Matin Momen. “Barry X Ball: Masterpieces.” StyleZeitgeist Blog. 20 November.
Jennifer Herrema. “Veils.” The Lab Magazine. 4 May.
Jan Garden Castro. “Digital and Non-Human Processes Rule at MAD.” International Sculpture Center Blog. 21 April.
Joyce Beckenstein. “East Marion, New York / 'Lat. 41° 7' N., Long. 72° 19' W' / Martos Gallery.” Sculpture Magazine. Vol. 33 No. 2. March. pp. 76-77.
Louise Benson. “New Precedents.” POSTmatter. 12 February.
Wojciech Delikta. “Onyksowe plugastwo” (translated by author to “Onyx Heinousness”). Arteon art magazine. Issue 2 (166). February.
2013
Brent Lewis. “STUDIO - Barry X Ball Brooklyn, NY 11211.” Cultured Magazine. Winter.
Stephanie Strasnick. “Barry X Ball Makes a 3D-Printed, Digitally Altered, Gold-Plated Sculpture.” ARTnews. 19 November.
Benedetta Cucci. “Il nuovo Compianto sarà di onice.” Il Resto del Carlino. 2 November.
Fernando Pellerano. “Il Compianto negli Usa.” Corriere di Bologna - Corriere della Serra. 2 November.
Paola Naldi. “Compianto virtuale.” La Repubblica. 2 November.
Justin Jones. “The World's Most Tech-Savvy Art.” The Daily Beast. 24 October.
Karen Rosenberg. “Excursions in a Digitally Fabricated Landscape.” The New York Times. 24 October.
Janet Goleas. “Inside Outliers.” Blinnk Blog. http://blinnk.blogspot.com. 18 August.
Karen Rosenberg. “Wry to Whimsical, a Summer Eden for Improvisers.” The New York Times. 19 July. p. C27.
Léa Bismuth. “Disaster / Erwin Wurm.” Art Press. May. p. 22.
Marion Zilio. “Chronique d'une fin annoncée, ou la fascination du désastre.” Contemporanéités. March.
2012
Carlos Suarez de Jesus. “Post-Basel Buzz.” Miami New Times. 13-19 December.
Julie Baumgardner. “Barry X Ball at the Bass Museum.” Whitewall. 7 December.
Scott Indrisek. “Miami's Bass Museum Blows the Lid Off Tradition With ‘Endless Renaissance’ Show.” Artinfo. 7 December. (online)
Rebecca Kleinman. “Reinventing Its Roots.” Art Basel Miami Beach Magazine. December. p. 66.
Paola Taddeucci. “Quando la tecnologia dà spettacolo: In mostra la Colonna Traiana e i classici rivisitati dello scultore Barry X Ball.” Il Tirreno. 16 October. p. 20.
“The 100 Most Iconic Artworks of the Last 5 Years.” Artinfo. http://www.artinfo.com. 17 September.
Amelia Cai. “Inside the Studio: Barry X Ball Reconceived Old Master Honest Art in an Age of ‘Some Glue and Sticks.’” Out of Order. Issue 01, Spring. pp. 2-7.
Florence-Valérie Alonzo. “Le Soleil Noir de Janus, Barry X Ball.” La Critique. 8 May.
Anne Sherwood Pundyk. “Barry X Ball: Matthew Barney / Barry X Ball Dual-Dual Portrait.” The Brooklyn Rail. May.
Brienne Walsh. “Keeping His Marbles: Q+A With Gian Enzo Sperone.” Art in America. 20 January.
2011
Jan Ernst Adlmann. “The Theatrum Mundi of Barry X Ball.” Sculpture. November. pp. 30-35.
Michael Fitzgerald. “Conceptual beauty: The portrait sculpture of Barry X Ball.” Art & Australia. September. pp. 38-39.
Dominique Moulon. “54th Venice Biennale.” MediaArtDesign.net. August. translated by Geoffrey Finch.
Stefano Castelli. “Le Mostre: Classico contemporaneo. Il marmo digitale di Barry X Ball.” Arte. July. p. 27.
Raphaël Morata. "Les Illuminés de Venise.” Point de Vue. 15 June. p. 4.
Roberta Smith. “Artists Decorate Palazzos, and Vice Versa.” The New York Times. 9 June. p. C21.
Rachele Ferrario. “Barry X Ball, la tecnologia è tradizione.” Il Corriere della Sera. 8 June.
Valérie Duponchelle. “La Biennale de Venise, vite fait, bien fait.” Le Figaro. 6 June. p. 38.
Carol Vogel. “Above the Grand Canal, ‘Big Bambú’ Rises.” The New York Times. 3 June. p. C22.
“Che cosa ha visto Barry X Ball a Ca' Rezzonico?” Il Giornale dell'Arte (The Art Newspaper). 2 June. p. 14.
Eric Banks. “The Merchants of Venice.” W Magazine. June. pp. 58-59.
Jody Shields. “Barry X Ball: Ca' Rezzonico.” L'Uomo Vogue (Italy). May / June. pp. 240-3, 252-3.
2010
Will Heinrich. “Curation's Onslaught: White Columns Annual and Larry Poons.” The New York Observer. 20 December. p. 49.
Brent Gregston. “Fiac fair puts France back on the modern art map.” Radio France Internationale. 30 October.
Livia de Leoni. “Da Parigi: la Cour Carrée du Louvre e l'Hermaphrodite di Barry X Ball.” exibart (Italy). 23 October.
Georgina Adam. “Cour de force.” Financial Times. 22 October.
“A Roundup of Sales from FIAC's High-Octane Opener.” ARTINFO France. 21 October. (online)
Béatrice de Rochebouët. “Noir, c'est noir à la Cour carrée.” Le Figaro. 21 October. pp. 32-33.
Olga Grimm-Weissert. “Sprung in die erste Liga.” Handelsblatt (Germany). 21 October.
Nicole Duault. “Fiac 2010 - Quand l'art fait sa foire.” France-Soir. 10 October.
Nicolai Hartvig. “FIAC Rising.” Art + Auction. October. p. 40.
Bob Nickas. “Looking Back: Solo Shows.” frieze magazine. January - February. p. 88.
2009
“Barry X Ball.” The New Yorker. Art Review. 23 November. p. 24.
Ken Johnson. “Masterpieces.” The New York Times. Art in Review. 6 November. p. C30.
Laura K. Jones. “London Dispatch.” artnet Magazine. 21 October.
Linda Yablonsky. “Different Class.” Artforum (online edition). 16 October.
2008
Elena Forin. “Barry X Ball” (Interview). Espoarte (Italy). September. pp. 54-9.
2007
William Ganis. “The Digital Stone Project.” Sculpture Review. Winter 2007 - 2008. pp. 22-9.
Stefano Spagnolo. “Barry X Ball.” Tema Celeste (Italy). November - December. p. 118.
Lucio Pozzi. “Letter from Venezia.” The Brooklyn Rail. October. pp. 52-3.
Marie-Louise Brulatour Mills. “Postcard from Venice.” 80 Kulturzeitung. Summer. p. 6.
“È difficile far da Cornice alla Biennale.” Il Giornale dell'Arte (Italy). July - August. p. 51.
Ellen Berkovitch. “Barry X Ball: SITE Santa Fe.” ARTnews. Summer. p. 208.
Leanne Goebel. “Visceral Intensity: Stone portraits eerily lifelike at SITE Santa Fe.” The Durango Herald. 30 March.
Elizabeth Cook-Romero. “Flayed, Impaled, and Tortured to Perfection.” The New Mexican. 9-15 February. pp. 52-54.
2004
Ann Wilson Lloyd. “Barry X Ball at Mario Diacono at Ars Libri.” Art in America. May. p. 168.
Monroe Denton. “Romanticism and the Works of Barry X Ball.” The Antiquer. February. pp. 32-35.
2001